Painting a Dream House Now

As take off, I articulated images of a particular unfinished house and placed it at varying settings that are more of situations than locations. Simultaneously, I pondered about the Filipino-cultural notion of having a dream house, how it takes form according to changing situations, and how it can be connected to the recent contexts of my family (among others) in its most recent immigration and undertaking of generating roots in Toronto. These musings are primarily tools for creative structuring particularly in connecting and/or relating elements of the works and not necessarily the main point, narrative or expressive end. My attempt is that through the result of my dealings with entwined processes of thought and painting, I would be able to push my narrow premise towards something beyond and be able to challenge imagination or inspire inquiry.